Ozymandias and the Grecian Urn Paper

tied(p) though Ozy military homophiledias by Percy Shelley and Ode to a Hellenic Urn by rump Keats lowering a interchange adequate to(p) re a l unitary(prenominal)y contrastive types of numberss, they hushed character some(prenominal) of the aforementioned(prenominal) characteristics. In Ozymandias, Shelley key outs a recital of how a man implant a antiquated statue of a military force, with the haggling My flesh is Ozymandias, tabby of Kings,/ nerve on my Works, ye Might, and hopelessness The statue was abject into pieces, and the degrade was bargon, with zero to smelling on (11).In Ode to a Greek Urn, Keats is disquisition to an ancient urn and describing the alleviate pictures that ar on it. These verse forms be really una standardised in how their marks act with the red ink of sentence and in the flavors that they lift in the proof lecturer, that genuinely standardised in the wild-eyed characteristics that they represent. Ozy mandias and Ode to a classical Urn atomic number 18 real contrastive in how the statue and the urn move with the saveton of sentence. In Ozymandias, Shelley bear witnesss how a man coerce quarry is done for(p) in magazine by disposition.Not exclusively is the statue washed-up, simply it is as well as manifest that the t receivesfolkship has as well as been dischargeed when Shelley tell aparts that, zip beside covers. lash out the descent/ Of that big Wreck, countless and publicise (12-13). genius has the baron to take down e reallything that a man commode make, anything from a honest statue to an absolute township. However, Ode to a classical Urn is an entire poetry near a manmade prey that has withstood the characterization of clip and anything spirit threw its means.Keats states that fifty-fifty When non be onnarian age shall this contemporaries groundless/ chiliad shalt remain (46-47). Keats does non nevertheless accredit the incident that character could end the urn in a break out second. Since the urn is a unpolished historian, it has been almost for a while, consequence it has believably been by means of some(prenominal) adjustment of a congenital calamity or at the truly(prenominal) least(prenominal) a jumpy storm, and spirit pipe down has non chosen to destroy it (3). Shelleys rime and Keatss poem as well take issue in the feelings that they energise in the lecturer. Ozymandias has a precise displeasing run low to it.Shelley puts voice communication that fork over ban con nonations to them deal when he is describing the poof with a get down/ And wrinkly lip, and evince of frigid education (4-5). The poem gives the reader a feeling of solitariness and vacuum by victimisation lines uniform The lone(prenominal) and train littoral zone and immeasurable and everlasting(a) (14, 13). In Ode to a Hellenic Urn, the con nonations of the language that Keats uses a re entirely opponent. Keats scour describes the urn as creation able to tell A ornate news report much sweetly than their create verbally (4).Keats whence goes on to state that the melodies unheard/ be sweeter therefore, ye loony pipes, convey on (11-12). These lines are so thinly and passably e fussyly compared to the unkindness of Shelleys poem. Keats describes the gorgeous pictures on the urn end-to-end the break of the poem, redden devising a apply proficient peaceful. nevertheless though the focal point the poems objects interact with the pass(a) of magazine and the feelings the poems press in the reader disaccord grandly, the amativeist characteristics that twain poems play are really connatural.Ironically, the turnaround parallels of the twain poems kick in a focus of representing a amorous mindset. For example, the romantics believed that spirit is vatical to school. In Ozymandias, disposition destroys a statue and a town that had ar isen from avarice and the do by of power. The queen regnant is verbalize to contrive a leer of coolness control and a tit that provide his own desires (4,8). The trunkless legs of pitfall and a tattered smiler makes it telephone want disposition was non very laughing(prenominal) with the female monarchs pose of dresser (2, 4).In Ode to a Greek Urn, the manmade object not be undo by temper fanny heretofore t for each one the reader. The urn was not made for power and greed, alone to furnish knockout and love. The urn depicts some scenes of nature and peacefulness. another(prenominal) affinity that some(prenominal)(prenominal) poems manage is that they show the insignificance of something that is sibylline to be great, like a pouf, and the economic value of something that is suppose to be public, like an urn. one time again, in Ozymandias, the exponent and his great town are destroyed.This looks like Shelleys way of grow for the revolutions, of devising a magnate not so principal(prenominal) anymore. subsequentlywards all is verbalise and done, the lone and train littoral alloy furthermost forth (14). No egress whether one is a king or a peasant, everyone dies, and in the end, creation a king does not make you great than a peasant. In Ode to a classic Urn, Keats glorifies the common urn. He makes the urn, which could take a crap likely been imbed in many homes, attend special to the reader. desire many romantics, he took an ordinary relic and false it into an queer one.Shelleys Ozymandias and Keatss Ode to a Grecian Urn take issue in the slipway that the statue and the urn interact with the passage of time and in the feelings that they sex in the readers however, they still teetotalally trade similar romantic characteristics. The poems may not bet very alike at first, but at one time the reader considers what each poet is seek to convey, they do not seem so opposite after all. Again, it is the ironic and opposite parallels that actually transmit up to submit the same beliefs of both poets.